The Golden Cradle Image License (Luke 1:39-45; 56-58)

The Golden Cradle Image License (Luke 1:39-45; 56-58)

$15.00

DIGITAL DOWNLOAD FOR ONE-TIME LICENSE

Interested in licensing a single image for worship or ministry use? This one-time license grants you permission to use this image for ministry purposes. Print the image as bulletin cover art or project the art and engage with it during worship, Sunday School, or Youth Group. We hope you might use our images as tools for spiritual formation.

If you are interested in an art print of this piece, please visit our print shop.

The Golden Cradle
Acrylic, gilding paint, canvas collage on handmade reclaimed paper
By Carmelle Beaugelin
Inspired by Luke 1:39-45; 56-58

From our “From Generation to Generation” Advent 2022 collection.

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Order includes:

  • high-res image file formatted for print

  • high-res image file formatted for web/projection

  • A PDF of the Artist's statements & scripture reference for the visual

  • A visio divina Bible Study Guide for you to use this image in a group study session that incorporates the ancient Benedictine spiritual practice of "divine seeing."

Credit Info:

When printing and sharing online, please always include the following credits:
Artist's name | A Sanctified Art LLC | sanctifiedart.org

FROM THE ARTIST:

Mary and Elizabeth have found in each other a sisterhood amid their precarious and unusual circumstances. An older Elizabeth (perhaps losing hope of ever nursing a child at the loss of her monthly cycle) welcomes a young Mary (pledged to be wed at the first sign of her cycle, yet seemingly pregnant before she has even wed). Despite their difference in age, the two cousins find comfort in each other in the midst of the unconventional timing of their expanding families. All along, as the two women whisper together of the growing promises hidden in their wombs and unconventional lives, Mary and Elizabeth themselves are cradled by the guiding arms of the God who moves them beyond cousins into sisterhood.

Reminiscent of Haitian folk art figures, Mary and Elizabeth are portrayed wearing traditional Afro-Caribbean style headdresses as their silhouettes face one another in a stoic greeting. For new Haitian mothers, a tradition of preparing sacred tea leaves, as well as postpartum herbal baths, offers solidarity between the more seasoned women and a new mother. Often—as displayed by the relationship between the two women in this story—grandmothers, cousins, and other close female community members act as surrogates in this sacred practice for those who have been displaced from their own families.

The Golden Cradle expands on the imagery of Maryʼs golden “yes” to her call, meeting Elizabethʼs “yes” to a holy birth of her own. In their meeting, the promises they carry leap for joy at this first encounter, offering us a picture of the kind of communal solidarity we often find along the journey of the unfolding story of God in our own lives. Even in moments of isolation, we often encounter surrogates who step in with divine provision when we need it the most.

—Carmelle Beaugelin

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