To Build and to Plant (Jeremiah's Call) by Hannah Garrity

To Build and to Plant (Jeremiah's Call) by Hannah Garrity

from $20.00

To Build and to Plant
by Hannah Garrity
Inspired by Jeremiah 1:4-10
Paper lace and graphite drawing, backed with cyanotype print

Museum-quality poster made on thick, durable, matte paper. Unframed artwork will arrive rolled up in a protective tube.

Framing option available.

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Print Details:

  • Museum-quality posters made on thick, durable, matte paper.

  • Paper is archival and acid-free.

  • Unframed prints arrive rolled up in a protective tube.

Frame Details:

  • Alder, Semi-hardwood frame

  • Black in color

  • .75” thick

  • Acrylite front protector

  • Lightweight

  • Hanging hardware included

  • Made in the USA

From the Artist:

This scripture is Jeremiah’s call story. Jeremiah is a prophet just prior to the fall of Jerusalem to Babylon. Once Jerusalem falls, Judea’s ruling class is taken into exile in Babylon. We learn of their story through the book of Ezekiel. Jeremiah stays as a prophet for those left behind in Jerusalem. At that time, the major theological question of the people was whether or not God was present without the temple and the Ark of the Covenant. In Jeremiah chapter 31, the prophet delivers a new covenant from God, written on the hearts of the people. “Fear not; God is with all people always” (Jeremiah 30:10-11).

As I explored the process of cyanotype printing for this piece of art, the visual metaphor of negative and positive space offered a parallel to this major theological question: Is God gone?

First, I painted a photosensitive solution on the paper in a dark room, then it dried in the dark as well. Once dry, I placed leaves, buds, blossoms, and branches on the paper and took it outside. These natural forms created a negative image as the paper was exposed to the sun. Just as Jeremiah will eventually offer the new covenant when the people fear that the absence of the tangible means the absence of the divine, so it is that in this artwork the absent spaces become deep and dark with color. The present spaces, where items were placed, become void of color, creating a negative image.

On top of the cyanotype, I overlaid a paper lace image of leaves, branches, buds, and blossoms weaving around the hand of God reaching out to touch the lips of Jeremiah. There are boxes too, portraying the building up after the tearing down. Do not fear. Like Jeremiah, we are but children ill-equipped for the call, but God reaches out and calls us anyway. So let us prepare ourselves for the planting and the building of God’s justice. The temple is gone. Hard work is ahead.

—Hannah Garrity

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