Print Details:

• Museum-quality posters made on thick, durable, matte paper.

• Paper is archival and acid-free.

• Unframed prints arrive rolled up in a protective tube.

Frame Details:

• Alder, Semi-hardwood frame

• Black in color

• .75” thick

• Acrylite front protector

• Lightweight

• Hanging hardware included

• Made in the USA

From the Artist:

Here we find the Israelites far from home, living in Babylonian exile. Fear and uncertainty hang heavy with the looming threat of Persian invasion.

“The coastlands have seen and are afraid, the ends of the earth tremble” (Isaiah 45:5). As some scramble to find courage in idols, God calls those exiled from Judah to be heartened by their rootedness in God’s story.

The image that formed in my mind was a community nestled in God’s hands amid the Mediterranean coastlands—the same lands conquered by the Babylonians, and to which the exiles longed to return.

While I was creating this image, the U.S. President shared an AI-generated video of his “vision” for Gaza, those same coastlands referenced in Isaiah. I was shaken by the contrast between his imagined future and the reality of U.S.-funded devastation. The video transformed rubble and the bone-chilling cries of mothers into panning vistas of high-rise beachfront resorts and casinos, rebranding Gaza as the “Riviera of the Middle East.”

This bombastic vision mocks a people clinging to threads of existence. Watching the powerful revel in the demise of the vulnerable is horrifying—but fitting. In Isaiah, God’s people are exiled under the thumb of a world power. Fearful artisans solder golden idols, hoping for security. But God is not found in the hands of the powerful or the shine of idols. God is present amid the rubble, comforting the forsaken and reminding them of their place in God’s story. No matter which empire holds sway, God sides with the subjugated and disenfranchised. Despite the fear that causes the very earth to tremble, God accompanies the downtrodden, upholding them with a steady hand.

From my study of this passage and shock at the video, a counter-vision of hope emerged. Coastal Mediterranean plants—bougainvillea for peace, lantana for liveliness, and red valerian for strength—anchor the shifting sand. God’s hands cradle the community like a fragile flame as their light resiliently radiates. The twelve figures in simplified Palestinian garb represent the exiled Judeans in Isaiah, the Palestinians in modern day Gaza, and all crushed by empire—each cherished by a faithful God. The hands in the image could also be ours.

— Rev. Lauren Wright Pittman