Print Details:

• Museum-quality posters made on thick, durable, matte paper.

• Paper is archival and acid-free.

• Unframed prints arrive rolled up in a protective tube.

Frame Details:

• Alder, Semi-hardwood frame

• Black in color

• .75” thick

• Acrylite front protector

• Lightweight

• Hanging hardware included

• Made in the USA

From the Artist:

In this familiar narrative, what stuck out for me in this reading was the juxtaposition of human and divine, the mundane and extraordinary, the humbleness of a manger and the glory of a multitude of heavenly hosts. I wanted to image this dichotomy with the everyday, intimate, tender scene of new parents and their yawning baby, enveloped by the glittering, awe-striking magnificence of God. 

The holy family is framed by an almond shape called a mandorla. Mandorlas have been used in Christian art to signify the glory of God, and can also represent the intersection and fullness of two things, like heaven and earth or spirit and body. Likely, the most familiar instance of this concept is the shape made between the overlapping circles in a Venn diagram. I wanted to use this shape because this is the moment when human and divine intersect in the person of Jesus, and when the glory of God is birthed into the world. The golden field surrounding the mandorla is filled with my interpretation of the six-winged seraphim from early Christian art, representing the heavenly hosts filling the air with tidings of peace (imaged by olive branches). A seven pointed star hangs over the heads of the family, surrounded by seven other stars, a number that represents completeness.

—Lauren Wright Pittman