Print Details:

• Museum-quality posters made on thick, durable, matte paper.

• Paper is archival and acid-free.

• Unframed prints arrive rolled up in a protective tube.

Frame Details:

• Alder, Semi-hardwood frame

• Black in color

• .75” thick

• Acrylite front protector

• Lightweight

• Hanging hardware included

• Made in the USA

From the Artist:

As I met with this text, I was drawn to Jesus’ call for Lazarus to be unbound. To represent the fabrics used in preparation for burial, I wrapped a canvas in linen. You’re not really supposed to do that. The canvas was already stretched and gessoed. It was ready to resist the oil paint medium I was applying. However, the texture of the binding cloth matters for this tactile text. I began to scrape the paint onto the woven strands. The linen fabric absorbed the paint as I scraped it on with a palette knife. In the final image, the linen shows through the paint and the paper lace design, representing the bindings.

Jesus' call for unbinding also includes the community. The foreshortened hands of the community, tasked with unbinding his body, reach in toward Lazarus. They reach through the concentric binding lines so that he can go free. Can these bones live? 

In the strength of community, they can. The community made up of Jews, Gentiles, Samaritans, and others all joined one another at the tomb to grieve for Lazarus that day. They came to support Mary and Martha. Jesus arrives as the community mourns together. Jesus cries in his grief. Their collective tears create the backdrop for this paper lace design. This diverse and neighborly community is who Jesus calls on to do the unbinding. Jesus makes sure that the community knows about this miracle so that they can share the news. Can these bones live? Lazarus lives, and Jesus’ miracle lives on in the telling.

—Hannah Garrity