Enough Image License (Luke 13:31-35)
Enough Image License (Luke 13:31-35)
DIGITAL DOWNLOAD FOR ONE-TIME LICENSE
Interested in licensing a single image for worship or ministry use? This one-time license grants you permission to use this image for ministry purposes. Print the image as bulletin cover art or project the art and engage with it during worship, Sunday School, or Youth Group. We hope you might use our images as tools for spiritual formation.
If you are interested in an art print of this piece, please visit our print shop.
Enough
Wood and acrylic inlay
By T. Denise Anderson
Inspired by Luke 13:31-35
From our “Full to the Brim” Lent & Easter 2022 collection.
Order includes:
high-res image file formatted for print
high-res image file formatted for web/projection
A PDF of the Artist's statements & scripture reference for the visual
A visio divina Bible Study Guide for you to use this image in a group study session that incorporates the ancient Benedictine spiritual practice of "divine seeing."
Credit info:
When printing and sharing online, please always include the following credits:
Artist's name | A Sanctified Art LLC | sanctifiedart.org
From the artist:
Jesus’ lament over Jerusalem’s intransigence is powerful because you can hear a righteous indignation and a deep anguish. He foreshadows his own execution, but his pain is for the waywardness of his people. This is one of a handful of times scripture uses feminine, specifically maternal, imagery in connection to God: “How often have I desired to gather your children together as a hen gathers her brood under her wings…” (Luke 13: 34b, NRSV) That, for me, is significant. As a mother, I know what it feels like to watch from a relative distance as a child makes heartbreaking decisions. I didn’t want to illustrate the details of the scene with my piece; I wanted to depict the emotions in it, to somehow capture the heartache of a parent whose children have chosen a destructive path.
Engaging with this theme has drawn me to wood and water. Here, I’ve moved away from realism and my usual oil paints to a medium with a more graphic quality: wood inlay. I wanted a simple depiction of this very specific pain. I felt that an emotion so germane to the human experience had to be anthropomorphized, and because Jesus uses feminine imagery, I decided to depict a figure who could be perceived as feminine, but perhaps could also be perceived as masculine or nonbinary. The Parent’s eyes are closed as if they cannot bear to watch what’s happening. The hair radiates to the left, mimicking a mother hen’s wingspan. The teardrop is a clear acrylic inlay with its underside painted blue, and the subtle way it refracts and reflects light is reminiscent of water.
As I consider the destruction we continue to visit upon each other and all of creation, I imagine God is still grieved. What emotions arise within you when you consider the human condition?
—Rev. T. Denise Anderson